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A Modern Inquiry into the Hermetic Mystery

Part IV: The Hermetic Practice

Chapter 3: The Six Keys of Eudoxus, Part 2

Introduction: The Six Keys of Eudoxus unlock the alchemical transformation of the soul’s essence into the philosopher’s stone. This section unveils the final three Keys—terrification, fermentation, and multiplication—guiding the adept to divine unity through sacred operations.

The Fourth Key: Terrification of the Spirit

The Fourth Key transforms the soul’s essence, the “great Alchaest,” into a solid earth through gentle boiling. This mercurial water, carrying its own Sulphur, coagulates into a fertile “Land of Promise,” as Hermes instructs: “The power is integral when turned into earth.” The adept must patiently moisten and dry this earth, augmenting its virtue and fertility, as Eudoxus warns: “If marks of coagulation fail, you erred in prior operations.”

This terrification, a reiteration of earlier purifications, ensures the soul’s essence becomes a stable, radiant form, ready for further transformation, marking the completion of the Second Work’s foundation.

The Fifth Key: Fermentation of the Stone

The Fifth Key ferments the Stone with a “perfect body,” creating a medicine of the third order. Like dough leavened with yeast, as Hermes compares, the adept unites the purified essence with a ferment to form a new, potent substance. This process, requiring precise proportions, transforms the Stone into a leaven capable of infinite multiplication, as Eudoxus notes: “The whole confection becomes a ferment for new matter.”

The adept, guided by nature’s laws, ensures the soul’s essence, now a “philosophical paste,” matures into a radiant form, embodying divine potency and ready for further enhancement.

The Sixth Key: Multiplication and Projection

The Sixth Key multiplies the Stone’s virtues through repeated dissolution and coagulation, as Eirenaeus describes: “Join one part of the Perfect Matter with Mercury, and in seven days, its virtue increases a thousandfold.” Each cycle—three days, one day, then an hour—augments the Stone’s power exponentially, creating the “Arabian Elixir.”

For projection, the adept combines the Stone with molten gold or silver, then projects this powder onto purified mercury, transforming it into pure metal. Eudoxus advises gradual projection to avoid loss, ensuring the Stone’s tincture perfects the base metal into divine gold or silver.

Closing: This chapter unveils the final three Keys of Eudoxus, transforming the soul’s essence into the philosopher’s stone through sacred alchemy. The journey into its broader implications deepens in our next post, unveiling further secrets of this sacred art.

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A Modern Inquiry into the Hermetic Mystery

Part II: A More Esoteric Consideration of the Hermetic Art and Its Mysteries

Chapter 1: The True Subject of the Hermetic Art, Part 2

Introduction: The esoteric heart of alchemy deepens, revealing humanity’s soul as the vessel for the universal essence. In this section, adepts like Böhme and Sendivogius guide us toward the transformative power of this hidden root, aligning nature’s principles with divine wisdom.

The Soul as the Golden Seed

Basil Valentine declares, “He who knows the golden seed or magnet and searches its properties holds the true root of life, fulfilling his heart’s longing.” This seed, no mere fantasy, is a certain truth for diligent seekers. Oswald Crollius, a Paracelsian, reveals that this “mineral vapour” producing gold in the earth resides in humanity, the generating spirit of all creatures. Albertus Magnus adds, “Gold exists everywhere, but its highest virtue burns most gloriously in man, where the fiery principle of life shines erect.”

Hermes echoes, “Our Mercury is philosophic, fiery, vital, mixable with all metals yet separable, prepared in life’s innermost chamber where it coagulates.” This essence, found where metals grow, is most potent in humanity’s soul. Ripley’s verse captures this:

Man, the noblest creature wrought,
Holds nature’s elements in proportion.
A natural Mercury, costing nothing,
Drawn from its mine by art,
For metals are but minerals too,
As Raymond Lully wisely said.

Maria notes philosophers speak sparingly of this essence due to life’s brevity and the art’s length, yet they found and enhanced these hidden elements. Alipili exclaims, “O man, you unite the elements through your breath and power, producing a miraculous essence—fiery water surpassing all elements. It dissolves gold into black earth, like thick spittle, revealing a pure salt without odor or corrosiveness, a treasure accessible to all.” This essence, the soul’s vital spirit, is the Hermetic art’s core.

The Adept’s Virtues

Hermes advises, “To master this hidden wisdom, one must reject vice, be just, good, rational, ready to help others, and guard these secrets from the idle or vicious.” Crollius adds that a true alchemist, sincere and skilled in vital analysis, knows all bodies contain salt, Mercury, and sulphur—principles of attraction, repulsion, and circulation, the universal accord of life. Morien tells King Calid, “This essence is extracted from you, where it resides. Through love and delight, it grows, revealing enduring truth.”

Nature’s Three Principles

Attraction, repulsion, and circulation govern all motion, from planets orbiting stars to chemical affinities. Attraction draws matter together, repulsion pushes it apart, and circulation balances them, forming circles when equal or ellipses when imbalanced. In nature, these principles are unequal, causing dissolution. Alchemists claim only their “antimonial spirit,” rectified by art, can harmonize these forces, creating a perfect, star-like circulation.

Böhme explains, “The Invisible Mercury, the spiritual air of Antimony, harmonizes these discordant principles—attraction, repulsion, circulation—in the arterial blood, where repulsion dominates, drawing life outward from its divine source.” The Hermetic art reverses this, restoring balance through dissolution and purification. He cites Paracelsus: “Nature gives blood and urine, pyrotechny yields salt, which art circulates into Paracelsus’ circulated salt. This salt, transmuted through a ferment, loses its outer life, retaining its essence.”

Hermes reiterates, “Unless you know how to mortify, generate, vivify, and cleanse the spirit, freeing it from darkness through contention, you achieve nothing. But mastery brings great dignity.” Böhme details the process: “In three months, digestion turns the powder black, halting the opposition of attraction and repulsion. The fixed attracts the volatile, both dying into rest. In three more months, a brilliant whiteness emerges, then a red or purple tincture, signaling the reign of sin’s end and the king’s scarlet robe.”

This cyclical process—dissolution, blackness, whiteness, redness—fortifies the spirit, unlike common matter that combusts. The alchemical Mercury, enhanced by fresh antimony, grows tenfold stronger with each digestion, becoming a “terrestrial Sun,” a magnetic chariot of life.

Closing: This section reveals humanity’s soul as the alchemical vessel, harmonizing nature’s principles to create the philosopher’s stone. The transformative process begins to unfold, promising deeper insights into this sacred art in our next post.

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Chapter 25: Alchemy – The Transmutation of Soul and the Legacy of Organic Gnosticism

Historical Overview: Alchemy’s Renaissance and Cultural Crossroads

The 12th to 15th centuries CE marked a Renaissance of knowledge in Europe, sparked by translations of Islamic scientific works that brought Greek and Roman philosophy back to Christian scholars, pulling Europe from the Dark Ages. Islamic scholars like Al-Kindi (circa 801–873 CE) and Ibn Sina (Avicenna, 980–1037 CE) preserved texts on chemistry, medicine, and metaphysics, which reached Europe via hubs like Salerno and Cordova post-Crusades (Ch. 18). This intellectual awakening fueled alchemy, a multifaceted discipline blending physical sciences, soul development, and transmutation, resonating with organic gnosticism’s life-affirming, gender-balanced spirituality.

Alchemy’s three branches—physical (chemistry, healing), spiritual (soul development), and transmutational (turning base metals into gold)—echoed organic gnosticism’s integration of physical and non-physical energies (Ch. 5). Chinese alchemy, rooted in Taoism, emphasized five elements (wood, fire, earth, metal, water) and energy channels, as seen in texts like Baopuzi (circa 320 CE) by Ge Hong and modern works by Mantak Chia. Indian alchemy, tied to Tantric Buddhism, developed the “thunderbolt body” (vajra, Ch. 13), a substantial soul body across astral planes, as in Hevajra Tantra (circa 8th century CE). Western alchemy, emerging from Greek philosophers like Zosimos of Panopolis (circa 300 CE), crossed into Islamic culture and medieval Europe, focusing on four elements (earth, air, water, fire—or solids, liquids, gases, plasmas).

By the 7th century, Christianity absorbed alchemical mysticism, blending Christ-Sophia marriage with soul purification, as seen in early texts like Liber de Compositione Alchemiae (circa 1144 CE). Albertus Magnus (1193–1280 CE) and Roger Bacon (1214–1292 CE), monk-alchemists, structured processes to purify the soul for divine reunion, as in De Alchemia (attributed to Magnus). The philosopher’s stone, symbolizing the elixir of immortality, flourished in 12th-century Spain, influencing Rosicrucianism’s emergence with the mythical Christian Rosenkreuz and manifestos like Fama Fraternitatis (1614 CE), attributed to Michael Maier, Robert Fludd, and Thomas Vaughan.

Mystery School Teachings: Alchemy’s Threefold Path and Tantric Resonance

Alchemy’s teachings mirrored organic gnosticism’s integration of heart and head, body and soul. Chinese alchemy’s focus on the immortal physical body (via acupuncture, martial arts) paralleled Tantric soul development (Ch. 5, 13), weaving energies for watcher selves (Ch. 2). Indian alchemy’s thunderbolt body, as in Tantric Buddhism, created substantial astral forms, resonating with Bogomil and Cathar Tantric practices (Ch. 19, 21). Western alchemy’s four elements symbolized transformation—transmuting base energies (Shadow) into gold (Holy Guardian Angel)—echoing courtly love’s chaste soul unions (Ch. 22–23).

The Church’s social enforcers condemned alchemy as heretical, while rational atheists dismissed its spiritual aspects, favoring physical sciences (Ch. 9). Yet, alchemy’s mystical Christianity—Christ-Sophia marriage, soul purification—aligned with organic gnosticism’s loving duality, integrating physicality (Radon, Ch. 26, Magus) and spirituality (Krypton, Ch. 24). The philosopher’s stone, as eternal life, countered Church denial of physicality, resonating with Cathar rejection of sin (Ch. 19).

OAK Ties and Practical Rituals: Transmuting Base Energies for Gaia’s Soul

In the OAK Matrix, alchemy’s threefold path aligns with true Ego resonance (Intro, Individual), weaving Shadow (base energies, Radon) and Holy Guardian Angel (cosmic harmony, Krypton) in Oganesson’s womb (Ch. 20). Its Tantric resonance mirrors resonant circuits (Ch. 13), transmuting chaos leaps (Ch. 11) into soul growth, countering social enforcers’ asceticism (Ch. 7) and rational atheists’ logic (Ch. 9). This resonates with Ipsissimus unity (Ch. 10) and Adeptus Exemptus compassion (Ch. 7), with the Holy Grail as womb (Ch. 8) empowering Gaia’s ascension (Ch. 4).

Practical rituals transmute this:

  • Oak Grail Invocation (Start of Each Ritual): Touch oak bark, affirming: “Roots in Gaia, branches in Source, I unite duality’s embrace.”
  • Alchemical Transmutation Meditation (Daily, 15 minutes): Visualize base energies (Shadow, e.g., repressed negativity) transmuting into gold (HGA, e.g., harmony). Journal refused Shadow and aspired HGA, merging in Oganesson’s womb. Affirm: “I transmute base into gold, weaving Gaia’s soul.” Tie to philosopher’s stone: Inhale transformation, exhale toxins.
  • Gaia Elixir Ritual (Weekly): By an oak, invoke Gaia’s womb as elixir, offering water for life’s vitality. Visualize Tantric union (male lightning, female womb, Ch. 8), transmuting energies for soul timelines. Affirm: “I rebirth Gaia’s spark, alchemically whole.” Echoes Rosenkreuz’s wedding.
  • Partner Alchemical Weave: With a partner, discuss transmutation. Men: Share expansive visions; women: Grounding acts. Build non-physical energy via breath or eye contact, visualizing Tantric union (Ch. 5) for soul growth. Solo: Balance enforcer asceticism and atheist logic in Gaia’s heart.

These empower organic gnostics to transmute energies, reviving Gaia’s soul. Next, explore Rosicrucianism, deepening alchemy’s legacy.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 7

Introduction: Hermes concludes his sacred guide to the philosopher’s stone, unveiling its final perfection as a universal ferment, while Atwood reflects on its veiled wisdom. In this section, we explore the stone’s transformative power and the art’s deliberate mystery.

Section Seven (Continued): The Universal Ferment

Hermes clarifies that the philosopher’s stone’s color points to redness, not sweetness, marking its fiery, transformative nature. He instructs, “We make sericum, or elixir, from this golden matter, creating an encaustic that seals the day with the color of heaven, enhancing vision.” The “sericum” (elixir) is the stone’s perfected form, its radiant tincture imprinting divine order, like a royal seal, on the transformed matter.

Maria, a revered alchemist, advises, “Take the white, clear herb from the little mountains, grind it fresh at its destined hour. Its body resists fire and evaporation. Rectify Kibric and Zibeth—the soul and spirit—upon this body, uniting the two fumes in the luminaries to perfect the tinctures.” This “herb” is the purified Mercury, ground and united with its active (Sulphur) and spiritual principles, creating the stone’s radiant essence.

Hermes warns, “Negligence or false understanding perverts the process, like bad leaven in dough or curds in cheese.” An unskilled artist risks failure by misjudging the matter or method, emphasizing the need for precise knowledge.

He describes the stone’s glory: “It is the most precious gold, unblemished, uncorrupted by fire, air, water, or earth, perfectly balanced in heat, cold, and moisture. As the sun outshines stars, this universal ferment rectifies all things with its yellow, citrine hue.” The stone, likened to living gold, perfects metals and beyond, its balanced nature making it supreme.

Hermes explains, “Concocted with fiery water, this gold becomes the elixir, heavier than lead, yet tempered. Without a kindred ferment, dough cannot rise; similarly, purify and mix the body with its ferment, confecting earth with water until it ferments like dough.” The stone’s ferment transforms matter, uniting its principles to prevent combustion, fix the tincture, and perfect bodies.

He concludes, “The ferment whitens the confection, unites bodies, and completes the work with God’s aid. Meditate on how this changes natures, as the key to the philosophers’ art.” The stone’s white stage precedes its red, perfecting form, achieving the alchemical goal.

Reflections on the Golden Treatise

Atwood reflects, “The seven sections of the Golden Treatise exemplify alchemical writings, less deceptive than many, though veiled with an obnoxious obscurity.” Hermes conceals the true art—its matter, method, and vessel—under ambiguous metaphors, protecting it from the unworthy. The text, a “problem of contradictions,” mirrors the Sphinx’s riddles, its abundant evidence burdensome due to its complexity.

In an era of easy reading, few are inclined to study such enigmatic traditions, especially without modern precedent. Yet, Atwood sees promise in the “theoretic possibility” of alchemy’s wisdom, observing that its doctrines and enigmas unfold through an experimental clue. She aims to reveal the “disjecta membra” (scattered parts) of this wisdom, seeking the abode of Isis, the divine feminine who restores their original beauty.

Closing: Section 7 concludes the Golden Treatise, celebrating the philosopher’s stone as a universal ferment, transforming matter like dough into elixir. Atwood reflects on its veiled wisdom, urging patient study to uncover its truths. The alchemical journey continues in the next chapter, exploring further mysteries of this sacred art.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 6

Introduction: Hermes concludes his sacred guide to the philosopher’s stone, revealing the final stages of transforming the universal essence. In this section, we explore the purification and fermentation of the stone, likened to gold and dough, unlocking its divine power.

Section Five (Continued): The Dragon’s Transformation

Hermes continues, emphasizing the dragon-like essence’s purification: “That born of the crow is the start of this art. I’ve obscured this with circumlocution, calling the dissolved joined, the near far.” The “crow” (the essence in its dark, putrefied state) marks the beginning of the true alchemical work, after preliminary preparations. Hermes deliberately veils the process to protect its secrets, using contradictory terms to guide only the wise.

He instructs, “Roast and boil the matter in what comes from the horse’s belly for seven, fourteen, or twenty-one days. It becomes the dragon, eating its wings, destroying itself. Place it in a furnace, sealed tightly, so no spirit escapes. The periods of the earth are bound in the water until the bath is applied.” The “horse’s belly” symbolizes a nurturing vessel, where the essence (dragon) undergoes cycles of heating and dissolution, consuming its volatility to prepare for transformation. The sealed furnace ensures the spirit remains contained.

Hermes adds, “Melt and burn the matter, then grind its brain in sharp vinegar until obscured. In putrefaction, it lives; the dark clouds fade, and it dies again, then lives.” This process—grinding, dissolving, and putrefying—revives the essence, cycling through life and death to purify it. He explains, “We work with the spirits in their life and death. As it dies by losing its spirit, it lives in its return, rejoicing in revival. What you seek is now apparent, fixing its own body.”

He concludes, “Our ancestors hid this in figures and types. I’ve opened the riddle, revealed the book of knowledge, uncovered hidden truths, and united scattered forms, associating the spirit. Take it as God’s gift.” Hermes unveils the process—dissolution, purification, and unification—as a divine revelation for the diligent seeker.

Section Six: Divine Gratitude and Caution

Hermes urges gratitude: “Give thanks to God, who generously grants wisdom to the wise, delivering us from misery and poverty with His abundant wonders.” The philosopher’s stone, a divine gift, requires humility to avoid misuse, as seekers must align with God’s will to wield its power.

He warns, “Away with unguents from fats, hair, verdigrease, tragacanth, and bones found in our fathers’ books.” These false materials, often cited by lesser alchemists, mislead seekers from the true essence. Hermes emphasizes the stone’s simplicity, requiring only the philosophical Mercury, not common substances.

Section Seven: The Living Gold

Hermes concludes, “Know, sons of Science, there are seven bodies, with gold as the first, most perfect, and king. Uncorrupted by earth, fire, or water, its nature is balanced in heat, cold, and moisture, with nothing superfluous. Philosophers magnify it, likening it to the sun among stars, perfecting all nature. As the sun ripens fruits, our gold, the ferment elixir, vivifies and perfects all metallic bodies.”

He explains, “As dough needs ferment to rise, so must you sublime and purify the body, separating impurities from the residue. Mix them with the ferment, confecting earth with water until the elixir ferments like dough.” This analogy highlights the stone’s role as a ferment, transforming matter by uniting its purified principles. Hermes urges, “Meditate on how the ferment changes natures, preventing combustion, holding the tincture, uniting bodies, and perfecting them. This is the philosophers’ key and the end of their work, consummated with God’s aid.”

Closing: Sections 5–7 complete the Golden Treatise, guiding seekers through the purification, dissolution, and fermentation of the philosophical essence, likened to living gold and a fermenting dough, to create the transformative stone. Hermes’ divine gift unveils a path to wisdom, ready for further exploration in the next chapter’s alchemical insights.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 5

Introduction: Hermes guides us deeper into the alchemical art, revealing the transformative union of the universal essence’s principles. In this section, we explore the marriage of the crowned king and red daughter, forging the philosopher’s stone through fire and light.

Section Four (Continued): The Alchemical Marriage

Hermes describes a sacred union: “When we marry the crowned king to our red daughter in a gentle, harmless fire, she conceives a son, conjoined and superior, who lives by our fire.” The “crowned king” (the active, radiant principle, or Sulphur) and “red daughter” (the purified, passive Mercury) unite in a controlled process, birthing a new essence—the philosopher’s stone. This “son” thrives through the alchemical fire, distinct from common flames, as a subtle, creative force.

He continues, “When you send fire upon the foliated sulphur, the boundary of hearts enters, washing away impurities until the tincture remains red, like flesh.” This “foliated sulphur” (the essence’s active light) is refined, its impurities cleansed, yielding a vibrant, flesh-like tincture. Hermes notes, “Our king-born son takes his tincture from the fire, and death, darkness, and waters flee.” The purified essence, now radiant, overcomes mortality, emerging as the stone’s transformative power.

Hermes exclaims, “The dragon, guarding the crevices, shuns sunlight, but our dead son lives. The king emerges from the fire, rejoicing in the espousal. Occult treasures open, and the virgin’s milk whitens. The vivified son becomes a warrior in the fire, supreme over the tincture, bearing the philosophical matter.” The dragon (the raw essence) yields to the purified “son,” who, through the fire’s gentle nurturing, becomes the stone, a treasury of transformative light.

He urges, “Sons of Wisdom, rejoice! The reign of death is over, the son rules, adorned in the red garment and purple robe.” This triumphant image signifies the stone’s completion, its radiant essence fully manifest, ready to transform other substances.

Hermes declares, “The stone says: Protect me, and I’ll protect you. Give me my own, and I’ll help you.” The stone, now perfected, offers mutual protection and reward. He adds, “My Sun and beams are hidden within me. My Moon, my light, surpasses all others. My gifts—joy, glory, riches—outshine all. I freely give, rewarding the wise with divine understanding.” The stone’s inner light, both solar (active) and lunar (passive), holds unparalleled power, granting wisdom to those who seek it.

He hints at a cryptic code: “What philosophers conceal is written with seven letters: Alpha follows Yda and Liber, and Sol follows, but to guard the art, join the son to Buba, Jupiter’s hidden secret.” These “seven letters” symbolize the stages of transformation, with “Yda,” “Liber,” and “Buba” as veiled references to the process’s mystical phases, uniting active and passive principles.

Hermes advises, “Use judgment. I’ve demonstrated this with subtle investigation. The matter is one, but few inquire rationally. Nothing comes from unlike species—man begets man, not an ox. If creatures mix, the result resembles neither.” Rational meditation is key to understanding the unified essence, avoiding confusion from unnatural combinations.

Venus, personifying the essence’s light, speaks: “I beget light, not darkness. If my metal weren’t dry, all bodies would desire me, for I liquify and cleanse their rust, extracting their essence. Nothing is more venerable than I and my brother conjoined.” Venus represents the purified Mercury, dissolving impurities and uniting with the Sulphur (her brother) to create the stone.

The king, supported by his brethren, declares, “I am crowned, adorned with a diadem, clothed in the royal garment, bringing joy. Chained to my mother’s substance, I hold my essence together, making the invisible visible, revealing the occult.” The king (the stone’s active principle) unites with the passive Mercury, manifesting hidden truths and generating all the philosophers’ secrets.

Hermes urges, “Hear these words, keep them, meditate on them, seek nothing more. Man arises from nature’s fleshy principle, not elsewhere. Reject superfluities.” The stone’s essence mirrors human life, rooted in a universal source, requiring focused inquiry.

He clarifies, “Botri is made from the Citrine, extracted from the Red, and nothing else. If it’s citrine, that’s your wisdom. Don’t seek the Red if you’re not anxious for it.” “Botri” (the stone) emerges from the citrine (yellow) stage, derived from the red tincture, emphasizing the unified process.

Finally, Hermes instructs, “Burn the brazen body with great fire, and it will grant you the grace you seek. Make the volatile fixed, so it cannot flee the non-volatile. The fiery flame that rests on the fire, corrupted in the boiling heat, is Cambar.” The “brazen body” (raw essence) is purified through intense fire, fixing the volatile Mercury to create the stone, with “Cambar” as a veiled reference to the purified matter.

Section Five (Beginning): The Hidden Vessel

Hermes continues, “All is to be understood ethereally, according to the principles laid down. Venus personifies the central light of nature, hidden in its generations, especially in metals due to their density.”

Closing: Section 4 completes Hermes’ vision of the alchemical marriage, uniting the crowned king and red daughter to birth the philosopher’s stone, a radiant essence that overcomes death and reveals divine truths. Section 5 begins, hinting at the hidden vessel of transformation. The journey toward the stone’s perfection continues in our next post, unveiling further alchemical mysteries.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 4

Introduction: Hermes unveils further secrets of the philosopher’s stone, guiding seekers through the purification of the universal essence. In this section, we explore the alchemical art’s parallels with nature, transforming the dragon-like spirit into a radiant tincture.

Section Three (Continued): Purifying the Dragon

Hermes continues, warning that the philosophical essence, or Mercury, remains mortal while impurities linger: “Remove the vapor from the water, the blackness from the oily tincture, and death from the earthy residue. Through dissolution, you’ll gain a triumphant reward—the essence that grants life.” The dragon, symbolizing the raw, self-willed spirit, carries a poisonous blackness from its natural state. By dissolving this, alchemists purify the essence, freeing it from mortality to reveal its immortal source.

He instructs, “Cause such an operation in our earth that the central heat turns the water into air, scattering the residue through the earth’s pores. Then, the air becomes a subtler water.” This process involves dissolving the essence, letting its volatile spirit rise, then condensing it into a refined form. Hermes suggests, “If you give our old man gold or silver to consume, then burn his ashes and boil them in water until complete, you’ll have a medicine to cure life’s leprosy.” This cryptic metaphor describes feeding the essence with pure metals, purifying it through fire and water to create a healing tincture.

Hermes calls this essence a “temperate unguent,” a fiery medium between the earthy residue and water, acting as the “Perscrutinator” that stirs and purifies the spirit. He explains, “Unguents are called sulphurs because, like fire, they burn and act closely with oils.” This sulphur, the active principle, drives the transformation, purifying the passive Mercury.

He emphasizes the adept’s qualities: “All the world’s wisdom is hidden in this art. To master it, one must be free of arrogance, just, good, profoundly rational, ready to help others, serene, courteous, and diligent, guarding philosophy’s secrets.” Without understanding how to “mortify, generate, vivify, cleanse, and introduce light,” fighting darkness until the essence whitens, one achieves nothing. But mastery brings reverence, even from kings, though these secrets must be hidden from the wicked.

Hermes reiterates, “Our stone comes from many things and colors, composed of four elements. Divide and separate them, mortifying the essence with its own nature to preserve its water and fire. This isn’t ordinary water but fire, held in a pure vessel to keep the spirits from fleeing, making them tinging and fixed.” The stone, a unified essence, undergoes repeated dissolution to purify its spiritual elements, ensuring they remain stable and potent.

He praises, “O blessed watery form, dissolving the elements! To gain the sulphurous form, mingle it with our sharp vinegar. When the water’s power dissolves the composition, it’s the key to restoration, driving away darkness and death, letting wisdom proceed.” This “watery form” (Mercury) and “vinegar” (purifying agent) cleanse the essence, unlocking its transformative power.

Hermes concludes Section 3: “Philosophers bind their matter with a strong chain to withstand the fire. The spirits in the purified bodies desire to dwell there, reviving them. United, they never separate, reviving dead elements, altering bodies, and creating permanent wonders.” The “chain” is the alchemical process, holding the spirit in its vessel to vivify and transform matter, as Democritus’ fable of Proteus suggests, using “manacles and fetters” to compel the essence into its true form.

Section Four (Beginning): The Precious Stone

Hermes celebrates, “O permanent watery form, creator of regal elements! United with your brethren through a moderate regimen, you gain the tincture and find rest.” This refined essence, now fixed, is the philosopher’s stone, ready to transform other substances.

He warns, “Our precious stone, cast upon the dunghill, is made vile despite its worth. Mortify two Mercuries together, venerating the Mercury of Auripigment and the oriental Mercury of Magnesia.” The stone, though divine, appears common in its raw state, requiring purification through dual Mercuries—active and passive principles—to achieve its glory.

Closing: Section 3 completes Hermes’ guide to purifying the dragon-like essence, dissolving impurities to create a tinging, fixed stone, likened to nature’s cycles. Section 4 begins, celebrating the stone’s perfected form and hinting at further refinements. The alchemical art’s transformative journey continues in our next post, unveiling deeper mysteries of the philosopher’s stone.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 3

Introduction: Hermes deepens his guide to the philosopher’s stone, revealing the intricate process of refining the universal essence. In this section, we explore the interplay of active and passive principles, symbolized as sulphur and Mercury, as the art unfolds.

Section Two (Continued): Refining the Essence

Hermes continues his instructions for refining the philosophical Mercury, urging patience and precision: “Return the extinct coal to the water for thirty days, as I instruct, and you’ll be a crowned king, resting over the fountain, drawing forth the dry Auripigment without moisture.” This “coal” is the essence’s fiery core, purified through repeated cycles of dissolution and coagulation, transforming into a radiant tincture—the philosopher’s stone. The “fountain” is the inexhaustible source of this essence, and the “Auripigment” its multiplicative power.

He describes the process poetically: “The spirit joins the body, uplifting the soul with art. If the spirit draws the soul to itself, it remains inseparable. They unite in one place until the noble work dissolves, putrefies, and dies, then rises anew through intense heat, each holding its place with gravity. Perfection comes, and the work shines with boundless glory.” This reflects the alchemical cycle—dissolution, putrefaction, and resurrection—leading to a perfected essence, as celebrated in the Aquarium Sapientum’s enigma.

Hermes advises, “The water was first in the air, then in the earth. Restore it to the heavens through its cycles, skillfully altering it before collecting, then rejoin it to its red spirit.” This describes cycling the essence through its volatile and fixed states, purifying it to merge with its fiery soul, achieving harmony.

He explains the essence’s forms: “The fatness of our earth is sulphur—auripigment, siretz, colcothar—all sulphurs, some purer than others. This includes the fat of gluey matters like hair, nails, hoofs, and brain, or the lion’s and cat’s claws, and the fat of white bodies and two oriental quicksilvers, which pursue the sulphurs and bind the bodies.” These terms symbolize the essence’s active principle (sulphur) in various states, interacting with the passive Mercury to transform matter.

Hermes clarifies, “This sulphur tings and fixes, connecting all tinctures. Oils also tinge but flee unless held by sulphurs and albuminous bodies, which detain the fugitive essence.” The sulphur (active force) stabilizes the volatile Mercury, creating a unified substance for transformation.

He compares the essence to a hen’s egg: “The disposition philosophers seek is one in our egg, but not in a hen’s egg, though its composition mirrors the four elements.” Unlike a hen’s egg, the philosophical egg holds a universal spirit, with a golden tincture binding its elements.

A dialogue ensues: The son asks, “Are the sulphurs celestial or terrestrial?” Hermes replies, “Some are celestial, some terrestrial.” The son suggests, “The heart in the superiors is heaven, in the inferiors earth.” Hermes corrects, “No, the masculine is the heaven of the feminine, the feminine the earth of the masculine.” Each needs the other, forming a balanced medium. The son asks about this medium, and Hermes explains, “In every nature, there are three from two: the needful water, the oily tincture, and the earthy residue below.” These are the alchemical trinity—Mercury, Sulphur, Salt—unified in the essence.

Section Three (Beginning): The Dragon’s Habitation

Hermes introduces a new symbol: “A dragon inhabits all these and is their habitation. The blackness is in them, and by it, the dragon ascends into the air.” The dragon represents the essence in its dynamic, transformative state, carrying the blackness of putrefaction as it rises to a new form.

Closing: Section 2 completes Hermes’ instructions for refining the philosophical Mercury, cycling it through dissolution, putrefaction, and resurrection to create the stone’s radiant tincture. Section 3 begins with the dragon, hinting at further transformations. The essence’s journey through these mystical stages continues in our next post, unveiling deeper alchemical secrets.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 2

Introduction: Hermes continues his sacred guide to the philosopher’s stone, revealing the transformative process of the universal essence. In this section, we explore the delicate art of refining this essence, guarded by cryptic symbols and divine wisdom.

Section One (Continued): The Vulture’s Cry

Hermes concludes the first section with a poetic vision: “The vulture, standing atop the mountain, cries, ‘I am the White of the Black, the Red of the White, the Citrine of the Red, and I speak truth.’” The vulture, a symbol of the newborn philosophical essence, stands in a fiery furnace, its colors—white, black, red, citrine—showing its transformative power. The “mountain” is the alchemical vessel, a space where the essence evolves.

He adds, “The chief principle is the Crow, which in the night’s blackness and day’s clarity flies without wings. From the bitterness in its throat comes the tincture; from its body, the red; from its back, a pure water.” The crow, another name for the essence in its passive state, undergoes putrefaction (night) and resurrection (day), yielding a tincture—its soul—and a water that dissolves metals into their primal form. Hermes urges, “Accept this gift of God. In the caverns of metals lies a noble stone, splendid in color, a sublime mind, an open sea. Give thanks to God, who taught you this wisdom, for He loves the grateful.”

Section Two: The Path of Reverence and Reason

Hermes begins the second section with a solemn admonition: “My son, above all, fear God, the source of your endeavor’s strength and the bond uniting each element.” Divine reverence is key, as the alchemical work depends on aligning with the universal spirit’s sacred law.

He advises, “Whatever you hear, consider it rationally. I don’t take you for a fool. Grasp my instructions, meditate on them, and let your heart embrace them as if you authored them. Applying cold to a hot substance harms it; likewise, a rational mind shuts out ignorance to avoid deception.” This calls for deep reflection, guarding against superficial understanding, much like a seeker closing their mind to distractions to focus on truth.

Hermes instructs, “Take the volatile essence, still flying, and drown it in its flight. Separate it from the rust that binds it in death, drawing it forth to live and serve you, not escaping to the heavens but held by your reason.” This describes capturing the philosophical Mercury, freeing it from impurities, and guiding it through a controlled process to prevent its loss. He continues, “If you free it from its confinement and rule it with reason over time, it will become your companion, adorning you as a conquering lord.”

Next, he says, “Extract the shadow and impurity clouding its light. Its fiery redness, when burned, holds the live coal of its fire. Withdraw this redness repeatedly until it’s pure, and it will join you, cherished by the one who nurtured it.” This process involves purifying the essence through repeated dissolution and refinement, removing its “shadow” (impurities) until its radiant soul emerges, ready to transform other substances.

Closing: Hermes completes Section 1, introducing the philosopher’s stone through symbols like the vulture and crow, revealing the essence’s transformative colors. In Section 2, he begins detailing the process—capturing and purifying the volatile Mercury with divine reverence and rational focus. The delicate art of refining this essence continues in our next post, unveiling further steps toward the stone’s creation.

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A Modern Inquiry into the Hermetic Mystery

Part I: An Overview of Alchemy’s History and Theory

Chapter 3: The Golden Treatise of Hermes Trismegistus, Part 1

Introduction: In this revered alchemical text, Hermes Trismegistus unveils the secrets of the philosopher’s stone, a transformative essence that perfects matter and spirit. Join us as we explore the first section of this ancient guide, a beacon for seekers of wisdom.

Section One: The Divine Gift of Alchemy

Hermes begins with a solemn declaration: “For years, I tirelessly experimented, sparing no effort of mind. This sacred science and art came to me through the inspiration of the living God, who chose to reveal it to me, His servant.” He credits divine guidance, not mere human effort, for his mastery, noting that God grants those with reason the ability to discern truth, but none the excuse to misuse it.

Out of reverence for divine judgment and a desire to save his soul, Hermes shares this knowledge, but cautiously: “I would not have revealed this to anyone, but I owe it to the faithful, as God bestowed it on me.” His words are not for the ignorant, but for those “sons of wisdom” ready to follow his path with study, experience, and divine blessing—three essentials for mastering alchemy.

Hermes explains, “The knowledge of the ancient philosophers’ four elements is not sought physically or rashly. These elements are discovered patiently through their hidden causes and operations.” Unlike ordinary elements, these are spiritual principles, revealed only when compounded and perfected through a cycle of colors—signs of the alchemical process’s completion.

He describes a symbolic division: “The ancient philosophers divided the water into four substances: one part becomes two, and three parts become one. A third of this is color, a coagulating moisture, while two-thirds are the ‘Weights of the Wise.’” This “water” is the philosophical Mercury, the universal essence, split into active and passive roles, then unified as body, soul, and spirit to create all things.

Hermes offers cryptic instructions: “Take one and a half ounces of the humidity, half an ounce of the Southern Redness (the soul of gold), half an ounce of the citrine Seyre, and half an ounce of the Auripigment, totaling three ounces. The vine of the wise is drawn in three, its wine perfected in thirty.” These terms—humidity, redness, Seyre, Auripigment—represent stages of refining the Mercury, distilled seven times and, after an eighth, turned into a fire-resistant powder, the philosopher’s stone.

The process involves “decoction,” which reduces the matter while its tincture grows: “Decoction lessens the matter but augments the tincture, like the Moon waning after fifteen days and waxing in the third.” This mirrors the alchemical cycle of dissolution and growth, leading to perfection.

Hermes assures seekers, “The work is with you and around you. Take what is within, fixed, and find it in earth or sea.” The universal essence is ever-present, hidden in life’s core, awaiting discovery through art. He urges, “Keep your Mercury, prepared in the innermost chamber where it coagulates, for this is the Mercury of the residual earth—a treasure more precious than gold, generating the stone that transforms metals into silver and gold.”

He concludes, “I have revealed what was hidden, disclosing the greatest secret. Search my words, seekers of wisdom.” Symbolically, he describes the Mercury as a “vulture on the mountain,” crying, “I am the White of the Black, the Red of the White, the Citrine of the Red, and I speak truth.” This vulture, the newborn essence, stands in a philosophical furnace, its colors signaling its transformative power.

The “crow,” another symbol of the same essence, appears in the “blackness of night” (putrefaction) and “clearness of day” (resurrection), moving without wings through the alchemical process. From its “bitter throat” comes the tincture, the soul drawn from the body, and from its back, a pure water that dissolves metals into their primal state. Hermes ends, “Accept this gift of God. In the caverns of metals lies a venerable stone, splendid in color, a sublime mind, an open sea. Give thanks to God.”

Closing: This first section of the Golden Treatise introduces the alchemical art’s divine origins and the universal Mercury’s transformative power. Hermes’ cryptic symbols—the vulture, crow, and stone—begin to unveil their secrets, setting the stage for deeper revelations. The journey continues in our next post, exploring further steps in this sacred process.

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