Part III: Concerning the Laws and Vital Conditions of the Hermetic Experiment
Chapter 4: Mental Requisites and Impediments, Part 3
Introduction: The Hermetic art requires a disciplined mind and fervent prayer to unlock divine wisdom. This section explores the vital role of prayer, study, and moral purity in overcoming obstacles, guiding the adept to transform the soul’s essence into radiant light.
The Power of Prayer
Prayer is the cornerstone of the Hermetic art, as Iamblichus describes, divided into three stages: gathering the mind’s powers, forging spiritual bonds, and sealing divine union. This sacred practice, as Kirchringius notes, “nourishes the intellect, opens the soul to divine light, and expels mortal dregs.” Through prayer, the adept aligns with the divine will, receiving revelations that solve the art’s enigmas, as the Psalmist declares: “I called upon God, and the Spirit of Wisdom came to me.”
Geber and Norton emphasize that divine grace, sought through prayer, is essential for success. Without it, obstacles arise, or the work ends in failure. Prayer, paired with persistent effort, transforms the soul into a vessel for the “Divine Fire,” uniting it with eternal truth.
The Necessity of Disciplined Study
Success in the Hermetic art demands rigorous study, as Ricardus advises: “Examine the philosophers’ writings, for a sluggish mind cannot master the work.” Arnold and Lully stress subtlety of mind, manual skill, and divine favor, cultivated through books that sharpen the intellect. The adept must persevere, as Zachary urges, reading with patience to uncover the “vermilion path” of truth, ensuring the mind is prepared for the sacred labor.
This study, grounded in reason and faith, dispels ignorance and fortifies the soul, aligning it with the divine purpose. Without it, as Sendivogius warns, “God gives understanding, but you must work to use it.”
The Path of Moral Purity
The Hermetic art rejects impure motives, as Pierce the Black Monk declares: “Covetous men find it never.” The adept must embody meekness, mercy, and charity, living simply and prayerfully. This moral purity, as Job warns, avoids the pitfalls of greed and pride, ensuring the soul remains open to divine grace. Only through such virtue can the adept wield the art’s power without corrupting its sanctity.
Closing: This chapter unveils the power of prayer, study, and moral purity in mastering the Hermetic art. The journey into its practical secrets deepens in our next post, unveiling further wonders of this sacred pursuit.
Homo Sapiens: In the Maelstrom by Stanislaw Przybyszewski and translated by Joe E Bandel
XIV.
Falk wandered restlessly through the city all day.
He finally sat in a café and spent several hours there. He was so tired that he could find no strength to get up and get the newspapers. Ask a waiter? No, it hurt just to open his mouth.
Yet he felt a bit of joy, how beautifully everything arranged itself… and Kunicki is after all a famous shot. Tomorrow everything is over. Good so.
He actually wondered that the whole thing was so indifferent to him, and it was after all about life… life! He giggled cheerfully. Life!
Finally he collected himself. When he came home, he felt so exhausted that he lay down on the bed immediately; he was about to fall asleep.
Then he sat up abruptly.
He had to speak with Isa after all. Who knows if he would return tomorrow. He had to inform her in any case, without arousing her suspicion, about the most important affairs.
But he could also do that in writing. And again he lay down. Otherwise she could get bad thoughts. No! Better to write a letter.
Suddenly he became strangely awake. His brain was shaken and came into operation.
It now became finally clear to him that tomorrow his death march awaited him. A slight shiver ran through his limbs. It was something like fear… Quite surely fear and unrest, although revolver heroes otherwise do not have fear…
The whole process became alive in him with such disgustingly intrusive clarity.
He will have to stand calmly, before his eyes the pistol muzzle will flicker like a black point, then he will clearly hear the cock click, quite clearly, yes, perhaps even as a strong noise.
Cold sweat broke out on his forehead. With difficulty he pushed everything back into himself.
He yawned. But his yawning seemed affected to himself.
He had to go to Isa and play piquet with her, that would calm him. Afterwards he could consider the whole story…
But fear crept up in him and his heart beat terribly. Kunicki after all shot the poor Russian down immediately…
And leave all this behind: Isa and the whole future… He stopped.
Where did the self-lie of the future suddenly creep from now? That was a ridiculous lie. Ha, ha, ha… How one can unconsciously lie to oneself… Strange… Naturally it wanted to argue further in me: everything is not so bad as it looks… Everything could still become good.
And suddenly he shot up like mad.
Kruk cannot come back to Germany after all. He is sentenced to five years.
He ran around like possessed.
Then Isa can never find out. He always opened the letters himself.
A moment of such immediate, animal feeling of happiness he had never felt before.
He came completely out of his senses with joy, a terrible life frenzy rose in him. He thought of nothing, only one single, fixed idea roared and whirled in his brain. Only now quickly away!
Kunicki? Kunicki? What does Kunicki concern me, what does honor concern me, what does shame concern me. Now quickly away, away.
His brain clung with the last despair strength to this straw.
Then he suddenly began to laugh in rage and fury.
Ha, ha, ha… Now I begin to play comedy before myself. As if that could help me over the disgust and the lie! Ha, ha, ha: everything could still become good.
He suddenly thought of the comical, little Jew from whom he once wanted to borrow money. The Jew naturally had no money, but Falk should console himself, everything would still become good.
And then a heartfelt cheerfulness came over him that he had not felt for a long time.
Yes, so he could now go to Isa, he was really cheerful and happy. When he entered the salon, his glance fell by chance on the picture and this mad despair orgy of the sky… But he was cheerful and happy.
In the dining room he listened. From Isa’s room came sobbing and moaning…
It shot through him like lightning, he staggered back. His heart stopped.
He stepped to the door and knocked timidly. No answer. Only a sudden violent cry. He now knocked violently and rattled the door. Isa! Isa! he cried desperately.
A deep moaning was the answer.
He became possessed in a moment. An unheard-of rage took possession of him.
Open! he cried. Again no answer.
Then an animal fury seized him. His senses left him. He suddenly threw himself with his whole strength against the door, broke it open and fell staggering into the room.
Isa jumped from the sofa, wild and distraught.
“What do you want here? Go then! Go then to your mistress,” she cried raging.
Falk stood and trembled so violently that he had to hold onto the table. “Go then! Go then!” cried Isa and ran desperately back and forth, as if she feared he would seize her.
“Isa!” he finally managed to bring out.
“Leave me! Leave!” she cried senselessly and stopped her ears with her fingers. “I want to hear nothing. Go then! I cannot see you! I have disgust for you!”
Falk stood there and stared at her madly. He heard only this hoarse, screaming voice in which a hysterical laughter and crying fought each other. It occurred to him that he had never heard Isa scream before.
Isa came into rage. She stamped with her feet, cried a few inarticulate sounds, then ran around the table to the door.
Falk came to his senses. He held her by the arms. She struggled desperately with him, but he held her tighter and tighter, bit himself as it were with his fingers into her arms.
“Let me go!” she cried with an unnatural voice. He let her go and stood before the door.
“I will go, but first you shall hear me,” he flared up furiously.
“I want to hear nothing. I hate you! I beg you! I have disgust for you. You soil me! Go then to your mistress.”
Suddenly she fell backwards onto the sofa in a wild crying cramp. In senseless fear Falk jumped toward her.
The slender, frail body twitched and writhed in his arms as if kneaded by a foreign power. From the throat of the tormented woman came spasmodic cries and sobs that were unnatural, as if an animal had uttered them.
Falk carried her to the balcony, grasped a carafe of water, moistened her forehead and temple, but suddenly she rose again and pushed him back furiously.
In the next moment she sank together, she threw herself on the sofa, breathed heavily; the strength seemed to leave her, for she crawled more and more together.
Then she threw herself up again with sudden jerk and stood proud and cold before Falk.
“What do you want then still?”
“Nothing, nothing more.” He stammered and looked at her with mad, glazed eyes.
“Nothing, nothing,” he repeated softly.
“You must make clear to yourself that between us everything is over, that I will not remain one hour longer with you under one roof… I do not want,” she cried raging… “Let me go then.”
She threw herself at him and tried to push him out the door.
It became quite dark before his eyes, he was no longer master of his animal rage attack, he seized her and threw her with full strength onto the sofa.
She jumped up, wanted to flee, her hair had loosened, he grasped her by the hair, tore half mad at it and dragged her back again.
“I will kill you, I will kill you,” he grinned in a second of complete confusion of senses.
She no longer resisted, everything broke in her—she became still for a moment.
Alraune by Hanns Heinz Ewers and translated by Joe E Bandel
His mother observed him–she knew his smallest gesture, the slightest movement of his smooth, sun tanned features. She read in the slight twitch at the corner of his mouth that it was something important. “What is it?” she asked, and her voice trembled. “Nothing big,” he answered easily. “You know of course that Uncle Jakob is dead.” “Yes, I know that,” she said. “It was sad enough.” “Well then,” he nodded, “the Legal Councilor has sent me a copy of the will. I am the executor and to become the girl’s guardian as well. To do that I must go to Lendenich.” “When will you leave?” she asked quickly. “Well,” he said. “I think–this evening.” “Don’t go,” she begged. “Don’t go! You’ve only been back with me for three days and now you want to leave again.” “But mother,” he turned to face her. “It’s only for a few days, just to put things in order.” She said, “That’s what you always say, only a few days–and then you stay away for years.” “You must be able to see it, dear mother!” he insisted. “Here is the will. Uncle has left you a right decent sum of money and me as well–Something I certainly was not expecting from him. We could certainly use it, both of us.” She shook her head, “What should I do with the money if you are not with me, my boy?” He stood up and kissed her gray hair. “Mother dear, by the end of the week I will be back here with you. It is scarcely two hours by train.” She sighed deeply, stroked his hands, “Two hours–or two hundred hours, what is the difference?–You are gone either way!” “Adieu, dear mother,” he said, went upstairs, packed only a small suitcase and came back out to the balcony. “There, you see! Scarcely enough for two days–Auf Wiedersehen!” “Auf Wiedersehen, dear boy,” she said quietly. She heard how he bounded down the stairs, heard the latch click as the door shut. She laid her hand on the intelligent head of her little hound that looked at her with faithful trusting eyes. “Dear animal,” she spoke. “Now we are alone again–Oh, only to go again, does he come here–when will we see him again?” Heavy tears fell from her gentle eyes, rolled over the wrinkles on her cheeks, fell down onto the long brown ears of the little hound. He licked at them with his red tongue. Then down below she heard the bell, heard voices and steps coming up the stairs. She quickly wiped the tears out of her eyes, pushed her black lace scarf into place and straightened out her hair. She stood up, leaned over the railing and called down into the courtyard for the cook to prepare fresh tea for the guests that had come. Oh, it was good that so many came to visit her, Ladies and Gentlemen–today and always. She could chat with them, tell them about her boy. Legal Councilor Gontram, whom he had wired about his arrival, awaited him at the train station, took him with to the garden terraces of the Royal Court, where he explained everything to him that was important. He begged him to go at once out to Lendenich, speak with the Fräulein and then early the next morning come back into the office. He couldn’t really say the Fräulein would make trouble for him, but he had a strange, uncomfortable feeling about her that made every meeting with her intolerable. It was funny in a way, he had worked with so many criminals–murderers, assassins, burglars, abortionists, and once he really got to know them he always found that they were really pretty decent people–with the exception of their crimes. But with the Fräulein, whom you could not reproach for anything, he always had the same feeling that other people had toward the criminals he worked with. It must lie completely in him– Frank Braun requested that he telephone ahead and announce his arrival to the Fräulein. Then he excused himself, strolled through the park until he hit the road to Lendenich. He walked through the old village, past the statue of St. Nepomuk and nodded to him, stood in front of the Iron Gate and rang, looking into the courtyard. There was a large gas candelabra burning in the entrance where once a paltry little lantern had glowed. That was the only change that he saw. Above, from her window the Fräulein looked down, searched the features of the stranger, and tried to recognize him in the flickering light. She saw how Aloys sped up, how he put the key in the lock more quickly than usual. “Good evening young Master!” cried the servant and the stranger shook hands with him, called him by name, as if he had just come back to his own house after a little trip. “How goes it, Aloys?” Then the old coachman hobbled over the stones as quickly as his crippled leg would carry him. “Young Master,” he crowed. “Young Master! Welcome to Brinken!” Frank Braun exclaimed, “Froitsheim! Still here? Glad to see you again!” He shook both hands vigorously. Then the cook came and the wide hipped house keeper. With them came Paul, the valet. The entire servant’s quarters emptied itself into the courtyard. Two old maids pressed to the front, stretching their hands out to him, but first, carefully wiping their hands on their aprons. “Jesus Christ be praised!” the gardener greeted him and he laughed. “To eternity, Amen!” “The young Master is here!” cried the gray haired cook and gave Frank Braun’s suitcase to the valet. Everyone stood around him, everyone demanded a personal greeting, a handshake, a friendly word, and the younger ones, those that didn’t know him, stood nearby, staring at him with open eyes and awkward smiles, off to the side stood the chauffeur, smoking his short pipe. Even his indolent features showed a friendly smile. Fräulein ten Brinken snapped her fingers. “My guardian appears well liked here,” she said half out loud and she called down: “Bring the Gentleman’s things up to his room–and you, Aloys, show him the way.” Some frost fell on the fresh spring of his welcome. They let their heads drop, didn’t speak any more. Only Froitsheim shook his hand one last time, walked with him to the master staircase. “It is good you are here, young Master.” Frank Braun went up to his room, washed himself, and then followed the butler who announced that dinner was served. He stepped into the dining room and was left alone for a moment. He looked around, there, like always, stood the giant buffet, ostentatious as ever with the heavy golden plates that bore the crest of the Brinkens. But no fruit lay on them today. “It is still too early in the season,” he murmured, “or perhaps my cousin has no interest in the first fruits.” Then the Fräulein came in from the other side, adorned in a black silk gown, richly set with lace down to her feet. She stood in the door a moment, then stepped in and greeted him. “Good evening, Herr Cousin.” She reached out her hand to him, but only the two fingertips. He pretended not to notice, taking her entire hand and shaking it vigorously. With a gesture she invited him to take his place and sat down across from him. “May we be informal with each other?” she began. “Certainly,” he nodded. “That has long been the custom with the Brinkens.” He raised his glass, “To your health, little cousin.” “Little cousin,” she thought. “He calls me little cousin, thinks of me as a doll.” But she replied, “Prosit, big cousin.” She emptied her glass, waved for the servant to refill it and drank once more, “To your health, Herr Guardian!” That made him laugh, Guardian–guardian? It sounded so dignified–”Am I really that old?” he thought. He answered, “And to you, little ward.” She got angry–little ward, again; little?–Oh, it would soon be shown which of them was the superior. “How is you mother?” she asked. “Thank you,” he nodded. “Very well, thank you–haven’t you met her yet?–You could have visited her at least once.” “She never visited us either,” she retorted. Then when she saw his smile, she quickly added, “Really cousin, we never thought of it.” “I can just imagine,” he said dryly. “Papa scarcely spoke of her and not of you at all.” She spoke a little too quickly, rushing herself. “I was really surprised, you know, when he made you–” “Me too!” he interrupted her, “and he certainly had some reason for doing it.” “A reason?” she asked. “What reason?” He shrugged his shoulders, “I don’t know yet–but it will soon come out.” The conversation never faltered. It was like a ball game; the short sentences flew back and forth. They remained polite, amiable and obliging, but they watched each other, were completely on their guards, and never came together. A taut net stretched itself between them. After dinner she led him into the music room. “Would you like some tea?” she asked. But he requested whiskey and soda. They sat down, chatted some more. Then she stood up, went to the Grand piano. “Should I sing something?” she asked. “Please,” he said politely. She raised the lid, sat down, then she turned around and asked: “Any special request cousin?” “No,” he replied. “I don’t know your repertoire, little cousin.” She pressed her lips together. That is becoming a habit, she thought. She struck a couple of notes, sang half a stanza, broke off, began another song, and broke that off as well. Then she sang a couple of measures of Offenbach, then a line from Grieg. “You don’t appear to be in the right mood,” he observed calmly. She laid her hands on her lap, remained quiet awhile, drummed nervously on her knees. Then she raised her hands, sank them quickly onto the keys and began: There once was a shepherdess And ron, ron and small patapon There once was a shepherdess Who kept her sheep Ron, ron who kept her sheep She turned toward him, pouting. Oh, yes, that little face surrounded by short curls could very well belong to a graceful shepherdess– She made a cheese And ron, ron and small patapon She made a cheese While milking her sheep Ron, ron, while milking her sheep Pretty shepherdess, he thought, and poor–little sheep. She moved her head, stretched her left foot sideways, tapped out a beat on the floor with a dainty shoe. The naughty cat watched And ron, ron and small patapon The naughty cat watched From a small distance away Ron, ron, from a small distance away If you touch it with your paws And ron, ron, and small patapon If you touch it with your paws I will hit you with a stick Ron, ron, I will hit you with a stick!
Madame Bluebeard by Karl Hans Strobl and translated by Joe E Bandel
While Ruprecht summoned old Johann and gave his order, Schiereisen paced the room. He was exhilarated, his thoughts flowing smoothly. He drained half the glass in one gulp and resumed. “So, while Jana undertakes a nocturnal errand in your interest, if not by your order, he’s killed, but the murder is disguised as an accident. Now comes the classic criminologist’s question: cui bono? Who benefits? Clearly, only a secret enemy keen to prevent the solving of that big X, to keep the secret— or, if discovered, to eliminate the discoverer. A secret enemy, I say, plotting against you unbeknownst. Or—unwanted to be known? Someone close, blocking you from that secret. It must be a dangerous secret, since murder is an extreme act, not risked lightly. Surveying those around you, Lorenz stands out at once.” “Pardon, that’s not obvious to an impartial observer.” “No? Jana was killed with a blunt instrument, necessary to avoid noticeable differences between initial wounds and fall injuries. I examined your servant’s body in the mortuary. The fall injuries—a broken leg, a rib—were minor. The fatal wound was a skull fracture at the back, impossible from such a low fall. It came from a blow struck with tremendous force by a pickaxe. The arm wielding it needed savage strength. Only an extraordinarily powerful man, an athlete, could dare attack Jana—a lithe, sinewy fellow, cautious and alert on his secret errand—with such a weapon. Among your entire staff, only Lorenz has that strength and brutal force. Add this: Jana’s body was found by that old, half- mad maid at dawn. Lorenz was second on the scene, so quickly, at an hour he never rose. I learned he was nearly fully dressed. What does he do? He removes the broken planks before the commission arrives. Isn’t that odd? Consider, too, a hidden staircase from Lorenz’s room leads directly to the passage by the wooden bridge. The final link: the day before Jana’s murder, Lorenz took a pickaxe from the cellar.” “How do you know?” “I’ve no reason to hide it. Old Johann told me, innocently sharing valuable details. He was there when Lorenz came for the pickaxe, claiming he needed to nail a loose floorboard in his room. Lorenz first tried taking the axe a maid was using to split wood, then settled for an older, unused one, too heavy for the maids. It was rusty, but the maid noticed the rust was nearly gone the next day, as if Lorenz had polished it clean.” “You believe Lorenz killed my Jana? I’m not sure I agree entirely.” Schiereisen stepped before Ruprecht, fixing him with a steady gaze. “Don’t resist this insight, Herr Baron. You’ve known it for a long time.” “And why would Lorenz do it?” Ruprecht barricaded himself behind the challenge of answering this. “Here we hit that unsolved X, the secret. I confess, rarely has a case so clear in its foundations caused me such trouble in its details.” “But now… you’re at your goal?” Ruprecht asked. His throat was dry, as if he’d breathed desert air. He downed a glass of wine. Something unstoppable loomed—a formless, monstrous threat, a menacing cloud hiding judgment. “I’ll tell you little you don’t already know or suspect, Herr Baron. I ask your forgiveness if my profession forces me to reveal things terrible for you. But I esteem you too highly. I won’t act without first explaining my reasons.” “Speak,” Ruprecht said. “You’ll likely clarify afterward who commissioned your efforts.” “I see you’re bitter. You despise me. But I strive to understand you. Some might find it incomprehensible that you’ve stayed silent so long, so long that… well, let’s not speak of it. I dare point to a kinship between us. Like you, I find joy and need in mastering people and things. For me, it’s in penetrating them, wresting their secrets, exposing their hidden truths.” That thrill is gone, Ruprecht thought. I know nothing of it anymore. “I follow every criminal case in the newspapers with great attention. I collect all I can about the people involved and the events. Each figure in such a mysterious drama gets their own file, and I don’t rest until I know everything that clarifies their character. Then I move them like chess pieces, letting their natures interact according to the events. That’s my method, and it rarely fails. Recently, I pursued a truly gripping case—an authentic American tale…” “Please, don’t speak in disguise. Don’t use a foreign case. Tell me what you believe you’ve found here.” “I’d prefer if you allowed me. I’m telling you nothing new by pointing out that you’re Frau Helmina’s fourth husband.” Ruprecht nodded. The menacing cloud drew closer. “Frau Helmina’s first and second husbands died after very short marriages. Herr Dankwardt was married to her for about six years. Suppose someone suspected—let’s call it a vague hunch, a creeping distrust for now—that Frau Helmina disposed of her husbands. This suspicion applies especially to Herr Dankwardt’s death.” “I see. You were hired by his relatives.” “Yes. So, I first needed a clear picture of Frau Helmina’s personality. I had to delve into her past. I don’t know how much you know.” “Not much. She comes from modest circumstances. She was a conservator, then her father died, and the money ran out. She worked in an office.” “Let’s not get lost in details, Herr Baron.” Ruprecht nodded. “Hear me out calmly! I can show proof for my claims later, if you wish. Your wife is an extraordinarily clever woman. She has tact, taste, and a sure sense of style. She has, so to speak, an inner rhythm. She’s among those who light up their surroundings, spreading joy with a smile and, when they love, blinding one to all else.” “You think I’m not prepared enough, Herr Schiereisen?” “I know you love your wife. Despite… what you may have noticed. It’s hard to tell you everything. My inquiries revealed Frau Helmina came from very humble beginnings. She told the truth there. I know you have no aristocratic prejudices. That wouldn’t bother you. But Helmina soon broke free from that narrow life. Spare me the details. She began to rise swiftly. She didn’t lose herself in a frivolous life, like others who chase pleasure. Helmina had another goal. Her years of public display were merely a means. By the way, she avoided performing in Germany and Austria. France, Spain, and Romania were her domains. A certain Anton Sykora traveled with her as her manager.” “Anton Sykora… isn’t that…?” “Yes, Herr Baron, the owner of the ‘Fortuna’ matchmaking agency in Vienna. I must stress my investigations showed Helmina stood out everywhere, not just for her beauty but for her impeccable conduct. The owners of the establishments where she performed still recall her with astonishment. They thought it a brilliant ploy. What Helmina expects and intends, happens. In Bucharest, a wealthy industrialist falls for her. He doubts her virtue, but everyone confirms it. His own failures prove her unshakeable. So, Herr Hellpach becomes Helmina’s first husband. He brings her to Austria, where no one knows her. He buys this castle and sets up lavishly. Frau Helmina adapts so perfectly, no one could guess her origins. The local nobility, however, remain suspicious to this day. Now, pay attention, Herr Baron. After a few months, Herr Hellpach takes his annual Alpine trip. A passionate mountaineer, he always climbs without a guide. Frau Helmina stays in Bozen, feeling unwell. Hellpach goes for a short hike in the Dolomites. In Sankt Ulrich in Gröden, a man joins him. They climb the Marmolata together. Hellpach falls; loose scree on a narrow ledge gives way, and he plunges two hundred meters into a gorge. His companion brings the news to the valley. Frau Helmina is a widow and heiress.” “I know, Herr Schiereisen. An accident! What are you implying?” “It’s an accident like the one that struck Jana, Herr Baron.” “Your profession leads you to such hypotheses.” “I understand you’d prefer they were hypotheses. But my suspicions have substance. They link hand in hand, forming a chain. Hear me further. I traced Hellpach’s route and sought his tracks. I carried two photographs in my breast pocket—one of Herr Hellpach. I showed them to innkeepers and hoteliers where he stayed. They recognized Hellpach and his companion in my photos. Innkeepers have a keen memory for faces. They all agreed on Hellpach. Opinions varied on the other. Some insisted it was him; others hesitated, saying the photo only bore a strong resemblance.”
Part III: Concerning the Laws and Vital Conditions of the Hermetic Experiment
Chapter 4: Mental Requisites and Impediments, Part 2
Introduction: The Hermetic art demands a pure and disciplined mind to unlock its sacred wisdom. This section explores the mental qualities needed and the obstacles to avoid, emphasizing faith, reason, and moral integrity as keys to divine transformation.
The Path of the True Adept
The Hermetic art, as Norton declares, is a “divine cure” to transform base metals into gold, granted only to those blessed with God’s grace and a virtuous heart. Success requires a stable, rational mind, free from avarice or pride, as Geber warns against those who chase wealth, unable to quicken the “aurific seed” of divine wisdom. The adept must pursue truth with unwavering faith, guided by reason to discern the sacred from the profane.
Eirenaeus illustrates this with a parable of seekers lost in “Cimmerian darkness,” mistaking false lights (ignorance, fantasy) for truth. Only those with disciplined intellect and pure intent can perceive the Hermetic light, aligning their will with divine purpose to unlock nature’s secrets.
The Dangers of Skepticism and Greed
Skepticism, especially the fashionable kind that dismisses the unfamiliar, is a major impediment. Geber condemns those who deny the art’s validity, presuming their limited reason sufficient, as Norton likens them to blind men attempting to paint. Such skeptics, lacking faith, block the path to truth, while the covetous, driven by Mammon, defile the divine light, risking spiritual ruin, as Job warns: “If I have made gold my hope, I have denied God.”
The Hermetic art requires sacrifice—abandoning selfhood for divine truth. Those who cling to greed or fleeting opinions fail to endure the fiery ordeal of wisdom’s purification, as Eirenaeus notes: “The art vanishes from impure hands.”
The Call for Disciplined Faith
The adept must cultivate a serene, diligent mind, as the Tractatus Aureus advises: “Be good, just, and ready to help mankind.” This disciplined faith, rooted in reason, aligns the soul with divine wisdom, transforming it into a radiant vessel. Norton emphasizes secrecy, taught “mouth to mouth” with a sacred oath, to protect the art from misuse, ensuring only the worthy wield its power.
Closing: This chapter unveils the mental requisites of faith and reason, and the pitfalls of skepticism and greed, for mastering the Hermetic art. The journey into its practical secrets deepens in our next post, unveiling further wonders of this sacred pursuit.
Homo Sapiens: In the Maelstrom by Stanislaw Przybyszewski and translated by Joe E Bandel
She laughed hysterically and then looked at Janina with wild hate, but only a moment…
“You naturally did not know that he was married… How he lies, ha, ha, ha, how he lies…”
Suddenly Janina’s strength left her. She threw herself on the bed and sobbed.
Isa became very serious; she stood up.
“Did I insult you?” she asked coldly.
But she expected no answer, she went to the bed end where the little one lay, looked at him attentively and then stood in the middle of the room.
“But don’t cry. I did not want to insult you… How beautiful the child is! And you have no guilt… You are only a small, weak girl.”
And again she began to laugh.
Strange that you have a child… How old are you actually? Eighteen? Nineteen? Well, farewell and don’t cry. He will come back, he will come, she raged… I will drive him back to you, immediately—immediately…
“Don’t torment me!” Janina suddenly cried out.
“Torment? Torment? Ha, ha, ha… I will send him here immediately… tout de suite, tout de suite…”
On the street she stood for a long time.
A few street boys went past her, laughed impudently at her and threw obscene words at her.
She looked around timidly and began to go, quick, senselessly quick… “Only not back, only not back, only not back to the liar,”
she murmured softly to herself.
“But my God! what disgusting people live here! Why do you harass me, why do you push me then? What did I do to you?”
She gnashed her teeth in impotent rage.
Suddenly she felt a violent pain. A fellow had run into her and brutally pushed her aside so that she almost fell.
The pain brought her to consciousness.
She began to go slowly, kept close to the wall, she became anxious like a small child, a crying cramp worked its way up in her with all strength, she choked it down with difficulty, but could not prevent the tears from running unstoppably over her cheeks.
Then she came to an empty square, sat down on a bench and calmed herself. And only now everything flew through her brain with visionary clarity and a wild pain began to rage in her. She lost her senses.
And in the moment she collected herself. Geißler will give money. Only away, far, far away from him, Geißler will give money, Geißler, Geißler she repeated incessantly.
She got into a cab and gave Geißler’s address.
The pain raged ever wilder… As if a hell had been unleashed in her… Ha, ha, ha… Mais non, pas du tout; je suis au contraire tres enchantée… très enchantée… These big letters: Isak Isaksohn… No, how comical! Isak Isaksohn… Ha, ha, ha… Falk is a genius. He must improve the race, it is his duty, his duty… Here I can buy fabrics—Friedrichstraße 183, and yes, what was his name? Isak Isaksohn and Friedrichstraße 183…
Then she suddenly felt an unspeakable disgust. The person took her, with the same hands he embraced her as the girl there—with the same mouth he kissed her…
She shook herself. A morbid rage overcame her, it became unbearably tight to her, she would have liked to tear her clothes apart. The disgust choked her ever more violently.
Why did he not drag the woman into my bed?! Ha, ha, ha… He should have done it before my eyes…
She could no longer control herself. She cramped and crawled into herself and stretched up again, she felt an unbearable pain in the breast, in the head, everywhere, everywhere…
Oh que j’ai mal, que j’ai mal… Mon Dieu, que jai mal!
When she entered Geißler’s room, she was seized by a sudden cheerfulness.
“How well you look at me! You are like a small, shy boy… Ha, ha, ha… And you have such a beautiful, soft coat… Well, don’t look at me as if I fell from heaven… I am after all Erik Falk’s legally, legally you understand? on the Mairie of the fifteenth arrondissement in Paris legally married wife…”
She laughed heartily.
Geißler looked at her astonished. But since she laughed so heartily, he laughed with.
“Just think, Walther, we haven’t even greeted each other…” She kept his hand in hers.
“How big and good your hand is! And so warm, so warm.”
“You didn’t meet Erik downstairs?” asked Geißler a little uneasily. “Erik Falk? My husband?” She choked with laughter. “No, no!
My husband, ha, ha, mon mari! quelle drôle idée plus philosophique qu’originale, n’est-ce pas?”
She looked around and sat down. Geißler looked at her helplessly.
“Why do you look at me so sadly? Ah,—ah…” she stood up again… “He was here, he told you everything…”
Geißler turned around and busied himself with the papers.
“Did he tell you about his little son, and about his little mistress? Ha, ha, ha… did he want to lighten his heart with you?”
“Well, you know, Isa, you don’t need to take that so to heart. You are after all a woman, and a man is organized quite differently…”
She had sat down again in the meantime, but suddenly she felt a great fatigue, she was near fainting.
“Give water!”
She drank greedily a large glass.
“Ha, ha… I have not seen my husband, no, no, je ne l’ai pas vu depuis cinq jours… Strange preference for my mother tongue. I have almost forgotten it… I was in a hideous, German boarding school… At five o’clock we had to get up… O! brr! But how strong you are and your hand so big and so good.”
She suddenly looked at him fixedly.
“You don’t need to look so mournful. I want no pity. I want money. Give me money,” she said harshly.
He looked at her frightened. “What do you need it for?”
“You are a nice gentleman! Ha, ha, ha. You ask a lady what she needs money for! Just give me money, I have a very bad affair…”
“Isa, be serious for a moment. You don’t want to do stupid things?”
“What do you think?”
“Well listen, Isa. You know very well what you are to me… very bad things are going on with you now… And there you know to whom you should turn… I mean, well—you will not misunderstand me… You know me… But… pas de sentiments, n’est-ce pas? How much do you need?”
“Three, four hundred…”
“I will give you five hundred.”
She did not understand him, stared only at him with growing rapture. Her senses began to confuse.
“How splendid you are!… And give me your big, warm hand… Yes, so, hold me tight, hold me tight… O que j’ai mal, que j’ai mal…”
Alraune by Hanns Heinz Ewers and translated by Joe E Bandel
Chapter Twelve Gives an account of how Frank Braun stepped into Alraune’s world. FRANK Braun had come back to his mother’s house, somewhere from one of his aimless journeys, from Cashmir in Asia or from Bolivian Chaco. Or perhaps is was from the West Indies where he had played revolutionary in some mad republic, or from the South Seas, where he had dreamed fairytales with the slender daughters of a dying race. He came back from somewhere. Slowly he walked through his mother’s house, up the white staircase upon whose walls was pressed frame upon frame, old engravings and modern etchings, through his mother’s wide rooms in which the spring sun fell through yellow curtains. There his ancestors hung, many Brinkens with sharp and clever faces, people that knew where they stood in the world. There was his great-grandfather and great-grandmother–good portraits from the time of the Emperor, then one of his beautiful grandmother–sixteen years old, in the earlier dress of Queen Victoria. His father and mother hung there and his own portraits as well. There was one of him as a child with a large ball in his hands and long blonde child locks that fell over his shoulders. The other was of him as a youth, in the black velvet dress of a page, reading in a thick, ancient tome. In the next room were the copies. They came from everywhere, from the Dresden Gallery, the Cassel and Braunshweig galleries, from the Palazzo Pitti, the Prado and from the Reich Museum. There were many Dutch masters, Rembrandt, Frans Hals, Ostade, Murillo, Titian, Velasquez and Veronese. All were a little darkened with age, but they glowed reddish gold in the sunlight that broke through the curtains. He went further, through the room where the modernists hung. There were several good paintings and some not as good. But not one of them was bad and there were no sweet ones. All around stood old furniture, most of it mahogany–Empire, Directoire or Biedermeir. There was none of oak but several simpler, modern pieces were scattered in between. There was no defined style, simply one after another as the years had brought them. Yet there was a quiet, pervasive harmony that transformed everything that stood there and made it belong. He climbed up to the floor that his mother had given him. Everything was exactly as he had left it the last time he had departed– two years ago. No paperweight had been moved, no chair was out of place. Yes, his mother always watched to see that the maids were careful and respectful–despite all the cleaning and dusting. Here, much more than anywhere else in the house, ruled a chaotic throng of innumerable, abstruse things. They were on the floors and on the walls. Five continents contributed strange and bizarre things to this room that were unique to them only. There were large masks, savage wooden devil deities from the Bismarck Archipelago, Chinese and Annamite flags and many weapons from all regions of the world. Then there were hunting trophies, stuffed animals, Jaguar and tiger skins, huge turtle shells, snakes and crocodiles. There were colorful drums from Luzon, long necked stringed instruments from Raj Putana and crude castings from Albania. On one wall hung a mighty, reddish brown fisherman’s net. It hung down from the ceiling and contained giant star fish, sea urchins, swords from swordfish, silver shimmering tarpon scales, mighty ocean spiders, strange deep-sea fish, mussels and snails. The furniture was covered with old brocade and over it was thrown delicate silk garments from India, colorful Spanish jackets and mandarin cloaks with large golden dragons. There were many gods as well, silver and gold Buddhas of all sizes, Indian bas-reliefs of Shiva, Krishna and Genesha along with the absurd, obscene stone idols of the Tchan tribes. In between, where ever there was a free space on the wall, hung framed glass enclosed images, an impudent Rops, a savage Goya, small drawings by Jean Callots, Crűikshank, Hogarth and assorted colorful cruelties drawn on sheets of paper out of Cambodia and Mysore. Many moderns hung nearby bearing the artist’s name and a dedication. There was furniture of all styles from all cultures, thickly populated with bronzes, porcelains and unending bric-a-brac. All these things were Frank Braun. His bullet killed the polar bear on whose white pelt he now stood. He, himself, had caught the mighty blue shark whose powerful jaws hung there in the net with its three rows of teeth. He took these poisoned arrows and this spear from the savage Buca tribe. A Manchu priest gave him this foolish idol and this tall silver priest’s clothes hanger. Single handedly he had stole this black thunderstone out of the forest temple of the Houdon–Badagri, drank with his own lips out of this Bombita in a Mate blood-brother ritual with the chief of the Toba Indians on the swampy banks of the Pilcomayo. For this curved sword he had given his best hunting rifle to a Malay sultan in North Borneo and for this other long executioner’s sword, his little pocket chess game to the Vice Regent of Shantung. These wonderful Indian carpets were presented to him by the Maharaja of Vigatpuri, whose life he had saved during an elephant hunt and this earthen eight armed Durga, begrimed with the blood of animals and people, he had received from the High Priest of the dreaded Kalis of Kalighat– His life lay in these rooms, every mussel, every colored rag, reminded him of long past memories. There lay his opium pipes, over there the large mescal can that had been hammered together out of Mexican silver dollars. Near it was the small tightly locked container of snake venom from Ceylon and a golden arm band–with two magnificent cat’s eyes–it had once been given to him by an eternally laughing child in Birma. He had paid many kisses for them– Scattered around on the floor, piled on top of each other, stood and lay crates and trunks–twenty-one of them. They contained his new treasures–none had been opened yet. “Where can I put it all?” he laughed. A long Persian spear stretched through the air across the large double window. A very large, snow white Cockatoo sat on it. It was a Macassar bird from South Africa with a high flamingo red crest. “Good morning Peter!” Frank Braun greeted him. “Atja Tuwan!” answered the bird. He climbed solemnly over the spear and down to his stand. From there he clambered onto a chair and down to the floor, came with bowed stately strides up to him, climbed up onto his shoulder, spread out his proud crest and flung his wings out wide like the Prussian eagle. “Atja, Tuwan! Atja, Tuwan!” he cried. The white bird stretched out his neck and Frank Braun scratched it. “How’s it going, little Peter?–Are you happy that I’m back again?” Frank Braun climbed halfway down the staircase, stepped out onto the large covered balcony where his mother was drinking tea. Below, in the garden, the mighty chestnut trees glowed like candles, further back, in the monastery garden, lay an ocean of brilliant snow- white flowers. Brown robed Franciscans wandered under the laughing trees. “There is Father Barnabas!” he cried. His mother put her glasses on and looked, “No,” she answered. “That is Father Cyprian.” A green amazon squatted on the iron railing of the balcony and as soon as he set the Cockatoo down, the cheeky little parrot came rushing up to it. It looked comical enough, walking sideways, like a shuffling Galatian peddler. “All right,” he screamed. “All right–Lorita real di España e di Portugal!–Anna Mari-i-i-i-i-a!” He pecked at the large bird, which just raised his crest and softly said, “cockatoo”. “Still saucy as ever, Phylax?” Frank Braun asked. “Every day he gets saucier,” laughed his mother. “Nothing is safe from him anymore. He would love to chew up the entire house.” She dipped a piece of sugar in her tea and gave it to the bird on a silver spoon. “Has Peter learned anything,” he asked. “Nothing at all,” she replied. He only speaks his soft, “’Cockatoo’, along with some scraps of Malay.” “Unfortunately you don’t understand any of that,” he laughed. His mother said, “No, but I understand my green Phylax much better. He loves to talk, all day long, in all the languages of the world– always something new. Sometimes I lock him up in the closet, just to get a half hour of peace.” She took the amazon, who was at that moment strolling across the middle of the table and attacking the butter, and set the struggling bird back up on the railing. Her brown hound came up, stood on its hind legs and rested its little head on her knee. “Yes, you are here too,” she said. “Would you like some tea?” She poured tea and milk into a little red saucer, broke off some white bread and a piece of sugar, putting them in it as well. Frank Braun looked down into the wide garden. Two round hedgehogs were playing on the lawn and nibbling at the young shoots. They must be ancient–he, himself, had once brought them out of the forest, from a school picnic. The male was named Wotan and the female, Tobias Meier. But perhaps these were their grandchildren or great-grandchildren–then he saw the little mound near the white, blooming magnolia bush. There he had once buried his black poodle. Two large yuccas grew there now, in the summer they would bloom with hundreds of white, resounding bells. But now, for spring, his mother had planted many colorful primroses there. Ivy and other wild vines crawled up the high walls of the house, all the way up to the roof. There, twittering and making noise were the sparrows. “The thrush has her nest over there, can you see?” asked his mother. She pointed down to the wooden trellis that led from the courtyard into the garden. The round nest lay half-hidden in ivy. He had to search before he finally found it. “It already has three little eggs,” he said. “No, there are four,” his mother corrected him. “She laid the fourth one this morning.” “Yes, four,” he nodded “Now I can see all of them. It is beautiful here mother.” She sighed and laid her old hand on his. “Oh yes, my boy–it is beautiful–if only I wasn’t so lonely all the time.” “Lonely,” he asked. “Don’t you have as many visitors as you used to?” She said, “Oh yes, they come every day, many young people. They look after this old lady. They come to tea and to dinner. Everyone knows how happy I am when someone comes to visit me. But you see, my boy, they are still strangers–you aren’t.” “Well now I’m here,” he said and changed the subject, described the various curiosities that he had brought back with him, asked her if she wanted to be there when he unpacked. Then the girl came up bringing the mail that had just arrived. He tore his letters open and glanced fleetingly at them. He paused, looked at one more closely. It was a letter from Legal Councilor Gontram that briefly communicated what had happened at his uncle’s house. There was also a copy of the will and his expressed wish that Frank Braun travel over as soon as possible to put the affairs in order. He, the Legal Councilor, had been court ordered to act as temporary executor. Now that he, Frank Braun, was once more back in Europe he begged him to take up his obligation.
Madame Bluebeard by Karl Hans Strobl and translated by Joe E Bandel
Sixteenth Chapter A kind chance had led Ruprecht to a charming secret. A chance, playful and teasing like a putto, to which he could’ve blown kisses. Ruprecht had driven a stretch along the Kamp valley toward the Schaumburg ruin. They’d stopped by a weathered forest bench, where Hedwig rummaged through her purse for small necessities—handkerchief, mirror, and the like. Later that day, Ruprecht returned alone to the bench. Something urged him: Go back! As he strolled closer, he spotted a tiny, slim book lying there. It was a forgotten calendar, and Ruprecht opened it joyfully to see if Hedwig’s days were marked with the same ordinary numbers and names as others’. He felt her calendar must be extraordinary, with unique saints marching through her year. He found a page highlighting days to do kind things for friends. Ruprecht’s name topped the list by March 7.
At the end was a date, noted: “Oh dear—twenty- eight! Getting old!” That date was just three days away. Ruprecht pocketed the calendar, keeping the secret to himself. Those three days, he wore a constant smile. Only with Helmina did his joy fade. He withdrew, avoiding her touch. Her mocking face went unheeded. Seeing her, he recalled a nocturnal trek through forgotten vaults and a glimpse through a tower wall. A shudder gripped him. On the morning of the festive day, he hurried to the garden at dawn, plucking the loveliest roses— pale yellow, pure white, lilac-tinged—and bound them together. Hesitantly, he added a single deep purple rose to the center. In his study, he wrote a letter. Dear, dear gracious lady! Who told me it’s your birthday today? Suppose it was a kind summer breeze, a white cloud in the blue sky, or the Kamp, my close confidant. I won’t betray the good friend who shared it. I even know your age. But I’ll strive to forget it, if you wish. On such days, one feels generous, especially someone as good as you. Grant me two requests: kindly accept these roses and the small box accompanying them. Second: come this afternoon with your husband to our castle. Let’s celebrate your birthday a little, better at home than in a village inn, even one as fine as the Red Ox. You’ll come, won’t you? I want to tell you today how grateful I am. You’ve reshaped my life on new foundations. Through you, I’ve discovered a new world. A great error has fallen away. From the tangled snare of senses, I’ve climbed to clearer heights. Until now, I saw life’s essence in asserting the self—standing victorious, foes crushed beneath, forcing the defiant to my will, smiling amid dangers. That was my greatest prize. But through you, I’ve learned: not this endless struggle is life’s highest joy, not this constant hostility, but surrender, giving oneself… I owe that to you. Today, I must say it. The fight and tension are over… Oh, you’ll come, won’t you? Your Ruprecht. Finishing the letter, he called old Johann to deliver it with the roses and a small box containing a pearl necklace. But as Johann reached the door, Ruprecht called him back. Hedwig shouldn’t receive this letter. It was too candid—a confession and an accusation. A venomous vapor rose from it. No, Ruprecht wouldn’t cloud these summer days or disturb Hedwig’s serene joy. He imagined her leaving Vorderschluder— everything gray, icy. He wanted to savor each present day, not summon dark questions or fears. She knew, without words, his gratitude. Hadn’t her eyes, the day after Rosenburg’s miracle, pleaded: No more of that? He tore the letter to bits and wrote another, light and jesting to the end. Opening the box, he admired the pearls again—large, softly gleaming, perfectly round on lilac silk. He’d bartered them from Indian divers, deeming them worthy of Hedwig. At breakfast, he told Helmina he’d invited the Gegelys for the afternoon. She laughed scornfully, learning it was Hedwig’s birthday. Ruprecht barely restrained himself from lashing out before the children and Miss Nelson. A thought, restless in the shadows lately, flared into harsh light. Helmina was in his power. One clenched fist, and she’d be destroyed. A fierce revulsion surged… he rose and left, almost ashamed, as if his face betrayed his wretchedness. Near noon, crossing the courtyard, he heard his name called. Turning, he saw Schiereisen hurrying after him, buttoned tightly in a black frock coat as he’d once been in his yellow overcoat. He looked rosy and cheerful, moved by the joy of reunion. It struck Ruprecht he hadn’t seen Schiereisen in ages. “An eternity, dear Baron,” the scholar said, looping his arm through Ruprecht’s with clumsy familiarity, his guileless blue eyes beaming. “Where I’ve been?” he chattered loudly, climbing the stairs beside Ruprecht. “Following my old Celts, tracking a lead. My work’s nearly done—I’ve found splendid new material. I think they’ll be pleased with me.” They sat in the Indian room. The prayer wheel caught Schiereisen’s eye. He took it from the wall, letting it clatter on his lap. His delight wasn’t wholly feigned; he was genuinely fond of Ruprecht. “You look splendid,” he said, “healthy, strong. I must say, last time I was here, you worried me. But you’ve recovered remarkably… Yes! I’ve been in Germany, a bit in France too. Now I have all I need.” “You make me curious about your work. When will it appear?” Schiereisen studied the prayer wheel, reading its Buddhist mantra: Om mani padme hum… “My work! When will it appear? That depends solely on you now.” He spoke with sudden gravity. Ruprecht knew the reckoning had come. “On me? I don’t understand! I can’t assist you in any way.” Schiereisen ignored the deflection. “Oh, but I’m counting on you. You can’t deny me your help. I can call on you in the name of truth and justice.” “Is it necessary to invoke such weighty terms?” Ruprecht asked, still attempting a smile. “I’d rather reach my goal with you than without.” “You must see I can’t help. What do I know of ancient Celts?” “Let’s drop the Celts. I needn’t tell you this isn’t about them.” Ruprecht fell silent. Continuing to evade was absurd. He asked, hard and firm, “What do you want from me?” “I hear your valet Lorenz is gone.” “Yes, he resigned and left a few days ago for a new post.” “And you don’t know where he is now?” “No… I didn’t ask. I let my people go when they wish, without troubling them.” “Haven’t you wondered why Lorenz left?” “No!” Trying one last time to steer the talk, Ruprecht asked, “Do you really find a servant’s departure so significant?” “Yes,” Schiereisen said. “This man’s exit is very meaningful. I suspect a surprise awaits us.” “What kind?” “I don’t know. It’s a pity we no longer have him here. It’s almost unsettling to know he’s out there, behind me. Did he sense suspicion and slip away in time? I’d rather have him under my eye, where I could watch him.” “You speak like a tamer of a vicious beast.” “Dear Baron, let’s be frank. I believe you trust me. Must I prove my credentials? You know as well as I that Lorenz murdered your servant Jana. If I didn’t neutralize him then, it was only because I had a greater task. I didn’t want to spoil it.” “What led you to believe Lorenz committed a murder?” Schiereisen had anticipated that by speaking plainly and revealing himself, he’d find Ruprecht equally open and trusting. Now he felt like someone who walks a long way to meet another, only to find them unmoved from their spot. He began to regret not keeping his mask. Irritated, he said, “Please follow me closely for a moment. You’ll agree my suspicions are well-founded, my conclusions sound. Your servant Jana dies under odd circumstances. The judicial commission investigates and finds nothing remarkable. Jana fell through a wooden bridge in a remote part of the castle at night. A young, agile man, surely with enough presence of mind in such a moment to attempt self-preservation, to grab something at the last second. That’s strange, isn’t it? Shouldn’t there have been a cry, the scream of a falling man…? I examined that ill-fated bridge. You were there and must have noticed what struck me. There was a trace of sawdust—a child could deduce the accident was staged. The already decayed planks were sawed through. But that’s not all. I found a spot on the old wood, cleared of dust and recently washed with water. For what purpose, if not to erase a trace? A tiny clue showed what that trace was: a small blood splash, overlooked on the dark wood. Your experience as a hunter and traveler is my ally. You can’t pretend not to understand. How does blood appear at the fall site in such an accident, unless a struggle, a murder, preceded it? Wouldn’t the blood otherwise be only on the stones below? Taken together, one can only conclude Jana was killed and thrown from the bridge to feign an accident. Now, who’s the culprit? Why was the Malay murdered? He was devoted to you. His virtues, as you once told me, were loyalty and discretion. He existed not as an individual but as your tool—a projection of your will, an extension of your arm. A strike against him was a direct blow at you. Someone aimed to hit you by stopping him from carrying out your order.” “Stop!” Ruprecht said. “That conclusion’s wrong!” Swept by the marvelously precise, steel- braced reasoning, Ruprecht felt only the thrill of a vigorous nature in a perilous game. He forgot his deep involvement, seeing himself as an object among others. Schiereisen smiled, satisfied that he’d captivated Ruprecht. By objecting here, the Baron admitted the rest was correct. “Good!” Schiereisen continued. “So he wasn’t acting on your orders. That’s not decisive. But he surely undertook his nocturnal errand in your interest, whether you knew it or not. What interest could you have had in Jana prowling the castle’s remotest part at night? He was utterly honest, so no shady motives fit. Nor was it a love affair. I know he spurned the castle and village girls, who were quite fond of him. So, as I said, he went somewhere for you. Why at night, in secret? We don’t know—it’s a mystery. Let’s call it a big X for now. May I have a glass of wine?”
Part III: Concerning the Laws and Vital Conditions of the Hermetic Experiment
Chapter 4: Mental Requisites and Impediments, Part 1
Introduction: The Hermetic art demands a pure and disciplined mind to transform the soul’s essence into divine light. This chapter explores the mental qualities and obstacles for those pursuing this sacred science, emphasizing wisdom, faith, and moral integrity.
The Qualities of the Adept
Geber, in his Sum of Perfection, outlines the mental requisites for mastering the Hermetic art. Success requires a sharp, searching intellect, capable of probing nature’s deepest principles with subtlety and reason. The adept must possess natural sagacity, free from fantasy or impulsiveness, to discern truth from illusion. A stable mind, grounded in rational inquiry, is essential to navigate the complexities of this sacred science.
Geber stresses that the art is not for those with weak or corrupted faculties—whether physical or mental. A soul swayed by fleeting opinions, clouded by imagination, or lacking discernment cannot achieve the divine transformation. Only those with clarity and perseverance can uncover the “true Radix,” the root of alchemical wisdom.
The Impediments of the Mind
Many obstacles hinder the pursuit of Hermetic science. Geber identifies those with “stiff necks”—lacking ingenuity or curiosity—who fail to explore nature’s depths. Others, driven by fantasy, mistake illusion for truth, their minds clouded by “fumosities.” Some are fickle, shifting beliefs without reason, unable to sustain the disciplined focus required. Worst are those who deny the art’s validity or seek it for greed, fearing to sacrifice personal gain for divine truth.
The greatest danger, as the Book of Enoch warns, lies in misusing alchemical knowledge for selfish ends. Such minds, led by “Mammon,” defile the divine light, turning sacred wisdom into sorcery. True adepts, guided by piety, reject these profane motives, ensuring the art remains a holy pursuit.
The Path of Purity and Faith
The Hermetic art demands a heart free from avarice, pride, or deceit, as Job declares: “If I have made gold my hope, I have denied the God above.” Only through faith, humility, and moral integrity can the adept align with divine wisdom. This science, as Norton’s Ordinal emphasizes, is a “singular grace” bestowed on those proven worthy, taught “mouth to mouth” with a sacred oath to protect its sanctity.
Closing: This chapter unveils the mental requisites and impediments for mastering the Hermetic art, emphasizing purity and faith. The journey into its practical secrets deepens in our next post, unveiling further wonders of this sacred pursuit.
Homo Sapiens: In the Maelstrom by Stanislaw Przybyszewski and translated by Joe E Bandel
XIII.
In the early morning Falk was awakened.
A gentleman was waiting in the salon on a very important matter. “Aha!” said Falk and dressed quickly.
When he entered the salon, he saw a person who bowed stiffly and extremely ceremoniously.
“From Kunicki? Isn’t that so? Well?”
He listened impatiently and distractedly to the other’s well-set speech.
“Severe demand? Yes, naturally. Just give your address, I will send my second to you. Only for God’s sake no stiffnesses, no ceremonies. Otherwise the conditions are quite indifferent to me. Naturally shoot to unconsciousness. Only no ceremonies…”
The stranger looked at Falk strangely, bowed and went.
“That is splendid, splendid.” Falk rubbed his hands cheerfully. Then he began to walk slowly up and down in the salon.
Suddenly a hot longing for Isa seized him. To tell her everything, to take her on his hands, to press her to him, so that they would become one in the raging elan of love.
But in the next moment a picture that hung over the piano chained him.
The sky: a row of broad, glaring stripes that lay unbalanced next to each other. Broad, brutal stripes; the whole like a wild cry of despair… And a beach with a long pier. Two people on the pier: she in a white dress. One actually saw only this white dress, and this white spot in the middle of the despair orgy of the sky looked like something horribly mysterious, something that made the nerves sick with curiosity and mad horror. He sucked himself with his whole soul into this white dress: That is she, the doom, the white lightning, the dancing world in chaos.
He looked away and examined with most tense attention a wilted orchid.
So he had to find a second now—naturally Geißler. He had no other. He no longer had a single person.
He searched long for his hat, went to Isa’s bedroom, listened, went quietly around again…
Now he had to go, otherwise he would no longer find Geißler at home.
Scarcely had he gone when Isa entered his room. She had fever in the night and nightmare. She wanted to speak with him, to calm herself…
She was very astonished when she no longer found him. She stood sadly, then sat down and looked around the room.
The room suddenly seemed so strange and so uncomfortable to her. She believed she clearly felt the sick, feverish atmosphere of this room… Everything lay confused together, on the desk she saw a large, colorfully scribbled sheet of paper.
She held the sheet in her hands and looked as if sunk before her. The sheet was written from bottom to top only with one word in the most varied typefaces: Ananke.
An indefinite torment constricted her heart. It became so sultry to her. She felt a deep sadness. It seemed to her as if her whole happiness had suddenly passed.
She actually did not understand where all this depression came from? She began to distract herself with all possible thoughts, but she could not get rid of the irritating unrest.
She collected herself, went into her bedroom and dressed slowly.
Suddenly the maid came in.
“A gentleman wishes to speak with you.” She handed Isa a card: Stefan Kruk.
Isa read and read the card. But that is impossible. Hadn’t Kruk fled from Germany? He is after all sentenced to several years in prison… A growing unrest began to hunt in her head. A confusion of thoughts shot through her brain. The feeling of something unusual filled her with sudden fright. She hurried and was hardly able to finish her toilet.
When she entered the salon, she saw Kruk quite unusually pale with wild, red eyes.
Isa stopped frightened.
“What is it? What is it?” she asked stammering.
“Where is your husband?”
She heard his hoarse voice tremble violently.
“He went away. But how do you come here, how could you expose yourself to this danger?”
Kruk looked at her as if he did not know where he was, as if he had forgotten himself.
Isa recoiled frightened.
“Your husband is a scoundrel,” he cried raging. “He dishonored my sister…”
Isa heard a few more words: mistress, bastard, seducer, then she understood nothing more.
Kruk came to his senses. He saw how all blood had left her face, how her lips became blue… She swayed, he caught her.
She came to quickly.
“My husband has a child now, now… a few weeks ago with your sister? Your… sister?! Child?”
She looked at him absently and stammered incessantly the word child… then she jumped toward him.
“That is impossible! Impossible…”
She grasped her head and walked a few steps. “A child!…”
She suddenly started.
“I must see it, I must see it… It is impossible. No, no…” She ran around.
“Why don’t you say a word? Say then that it is impossible… Oh God, oh God… So look for my hat, quick, my hat… How is that only possible… Ha, ha, ha, he asked me what I would say to it… Grand Dieu, c’est impossible… How pale you are, how dark… Just come quick, quick…”
She no longer knew what she did and what she said.
Only down in the cab did she come to her senses. They spoke no word with each other.
She had the feeling of a black, cool shadow over her brain, she laughed convulsively, sank together and again a desire to laugh suddenly overcame her.
She looked at Kruk almost roguishly.
“I recognized you immediately—I saw you twice in Paris… Oh, how you have changed, and how boundlessly pale you are… Mais c’est terrible, c’est terrible!”
She looked with mad glances out the window.
Suddenly she heard the rolling of another cab behind her back, the noise deafened her, she saw nothing more and heard nothing, repeated only quite mechanically: c’est terrible!
Finally the cab stopped, and immediately behind it another cab stopped. Kruk suddenly came into an unspeakable unrest…
In the moment when Isa had stepped out of the cab, she saw two men throw themselves on Kruk.
“In the name of the law…”
Kruk drew the revolver lightning fast, but in a moment he was thrown to the ground from behind…
A crowd formed. Isa stepped hastily into the hallway.
She supported herself against the wall so as not to fall. A dizziness raged in her. She sought convulsively to fight against it. Then she looked fixedly up the shining stair rail, heard a shouting on the street and saw a few children run past.
She looked around confused.
What did she want here?… Visit Erik’s mistress? Ha, ha… Great God! Erik’s mistress…
She collected herself and stepped into the courtyard. She stopped as if spellbound.
In a window of the courtyard ground floor she saw a pale, desperate face. The girl carried a child on her arm.
The two women stared at each other.
C’est elle! Isa said to herself half-aloud. She saw how the other recoiled in highest fright.
Isa went in. She knocked.
The door was opened fearfully and only half.
“But let me in…” she almost violently pushed Janina back… “I want to do nothing to you, only the child…”
She entered Janina’s room.
“But don’t tremble so, I really want to do nothing to you…” She laughed nervously… “Mais, c’est drôle… this little girl: Erik’s mistress, ha, ha, ha… Sit down then, you are pale, you will fall… God, how thin, how miserable you are. He sucked all your blood… And the little one there is your child, Falk’s child…”